When it comes to sequels, especially in the action-comedy genre, expectations are usually tempered. The original Beverly Hills Cop (1984) was a massive hit and introduced us to Eddie Murphy’s iconic Axel Foley, blending razor-sharp comedy with some solid detective work and 80s action flair. But for me, it’s the follow-up, Beverly Hills Cop II (1987), that really takes things to the next level. After revisiting it recently for the first time in years, I came away thinking this sequel not only holds up—it might actually surpass the original.
Right from the opening credits, you can feel the difference. Tony Scott (hot off the success of Top Gun) brings his signature style to the film: slick visuals, moody lighting, and action sequences that feel bigger, sharper, and more cinematic. The movie just looks and feels like a true 80s blockbuster. Add in Harold Faltermeyer’s iconic score—amped up with “Shakedown” by Bob Seger—and you’ve got a movie that screams cool in every frame.
Of course, none of this would matter without Eddie Murphy, and he’s in top form here. By 1987, Murphy was at the peak of his powers, and Axel Foley is even sharper, funnier, and more confident than before. The humor feels effortless, whether he’s fast-talking his way past authority figures or riffing with his Beverly Hills buddies Taggart (John Ashton) and Rosewood (Judge Reinhold). The chemistry between the trio is undeniable, and their expanded roles here really elevate the film. Rosewood especially shines as he leans into his newfound obsession with action-movie bravado, providing some of the movie’s funniest moments.
But it’s not all laughs—the action genuinely holds up. The “Alphabet Crimes” storyline gives Axel and company a serious threat to chase, and the set pieces are just flat-out fun. From shootouts to car chases, the film keeps the pace moving without ever losing its humor. Bridget Nielsen’s Karla Fry makes for a striking and memorable villain, adding an extra layer of menace that the original didn’t quite have.
What surprised me most on this rewatch is how Beverly Hills Cop II captures the essence of why I loved 80s action comedies in the first place. It’s stylish, it’s funny, it’s action-packed, and it doesn’t take itself too seriously. While the original is a classic, I find myself enjoying the sequel even more—it’s bigger, louder, and in my mind, even more enjoyable.
So does Beverly Hills Cop II hold up after all these years? Absolutely. In fact, I’d argue it’s aged even better than the first. If you haven’t revisited it in a while, do yourself a favor: throw it on, crank up the volume, and let Axel Foley remind you why the 80s were the golden age of the action-comedy.
